Picture 416; 9 x 12 inches, pen & ink (Micron .01) on paper.
Completed February 2007
Just like Picture 340, this was also part of the Simon Wiesenthal Multimedia Learning Center online exhibition of photographs of Jews in Poland that survived the Holocaust, even if their models did not. You can see that exhibition here: [link]
This was Picture 416 of over 450. The captions and notes are well worth the reading, although heartbreaking.
Still trying to work through it, and I doubt I ever will.
Perhaps it's the endless need for validation. Perhaps it's a genuine curiosity about how my art is seen from others' views...but how bout I express some very large balls and ask you to tell me what it does make you feel? Because I actually do want to know!
This piece invokes warmth and pride in my Jewish heritage. It takes one back into time, it reminds me of Jewish work that used to reflect more of the norm w/in Jewish Culture/Society & Religion. Though you are more apt to see a Jewish man such as this in Israel still, one does not see such sights here in States unless they are within the Orthodox community [this is my personal experience and probably differs from others].
A sense of nostalgia, a snap shot of a man where time has stood still. I so envy the artists who can draw like this, I never master this. There is something to be said for the more traditional of mediums w/o all the computer/digitally produced works.
You are welcome for the compliments, they are well earned.
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Be'koach, Be'shalom ...{In Strength, In Peace}
Trouble no one but encourage all...
Ronda Miller
I don't know if you peeked at the entire exhibit from the Simon Wiesenthal Center, but I truly did love the photo this was referenced from, as well as Picture 340. They were both very artfully done. It was not at all difficult to make them into works of art since they were already - as opposed to taking a posed family snapshot and making that more artful, which can be trickier.
Since I have no experience in Jewish Orthodox culture, the man didn't bring me a sense of nostalgia, but in all his rabbi's regalia, he couldn't seem to be more different than me - an nth generation Irish-American Quaker lesbian. I wonder if I met him what on earth I would ever find to talk to him about. But then, that moment when you realize that despite everything your cultures ingrain in you, you still have common experiences and you can still understand each other across languages and religions, is indeed a beautiful moment.
One of those human experiences is wrestling with mortality. The purpose of the exhibit, I think, was for people to speak up and say these millions of people (symbolized by the hundreds of photographs) had stories and names and families and they're gone and all but forgotten. When I am gone, too - who will remember me and who would care? Maybe someone 60 years after I'm gone who never spoke my language and never had a clear concept of my religion or life would see something artful in me.
In response to new features: The dA community stands up to preserve itself and deviously denies further separation between general members and subscribers. Gift givers express dislike for violation of their privacy.
Hello there! This news article is the result of a thumb share thread I posted few days ago on the dA forum along with pictures from my favorites. I hope you enjoy them.
A horror photography art challenge to inspire the darker side of your creativity. This is a fun community project, not a contest, so its open to absolutely everyone regardless of dA status or skill/experience level. Click through to find out how you can join in...
Daily Literature Deviations is a group that is dedicated to bringing literature to the forefront of the deviantArt community. We attempt to accomplish this by daily featuring Literature artists from around the community that deserve the recognition, but are not getting it.
Each day we will feature 10 deviations from the Literature categories in a News Article. In order to support the artists that we feature, we ask that you the news article as well as check out the individual pieces. We understand that each day you may not be able to check out each and every one of the pieces, everyone has their own things going on. We just ask that you make an attempt to help support the growing Literature community.
When it comes to community spirit, `Rushy is a shining example. From participating in devmeets, to providing positive encouragement to other artists, `Rushy can always be found demonstrating what it really takes to be a true deviant. It's without any hesitation that we are delighted to award the Deviousness Award for July 2009 to `RushyRead More
Devious Comments
Comments
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Visit my gallery.
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You are more than welcome to visit my humble gallery. [link]
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Visit my gallery.
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Be'koach, Be'shalom ...{In Strength, In Peace}
Trouble no one but encourage all...
Ronda Miller
And if not, you can just say, "stuff".
(Thanks for the compliments, btw!)
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Visit my gallery.
A sense of nostalgia, a snap shot of a man where time has stood still. I so envy the artists who can draw like this, I never master this. There is something to be said for the more traditional of mediums w/o all the computer/digitally produced works.
You are welcome for the compliments, they are well earned.
--
Be'koach, Be'shalom ...{In Strength, In Peace}
Trouble no one but encourage all...
Ronda Miller
Since I have no experience in Jewish Orthodox culture, the man didn't bring me a sense of nostalgia, but in all his rabbi's regalia, he couldn't seem to be more different than me - an nth generation Irish-American Quaker lesbian. I wonder if I met him what on earth I would ever find to talk to him about. But then, that moment when you realize that despite everything your cultures ingrain in you, you still have common experiences and you can still understand each other across languages and religions, is indeed a beautiful moment.
One of those human experiences is wrestling with mortality. The purpose of the exhibit, I think, was for people to speak up and say these millions of people (symbolized by the hundreds of photographs) had stories and names and families and they're gone and all but forgotten. When I am gone, too - who will remember me and who would care? Maybe someone 60 years after I'm gone who never spoke my language and never had a clear concept of my religion or life would see something artful in me.
Thanks again for being a good sport there.
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Visit my gallery.
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